Aeolian Singers to premiere new Canadian compositions during virtual concert Veritas: Seeking Truth, Sharing Wisdom.
The Aeolian Singers (www.aeoliansingers.ca) under the direction of Heather Fraser will release an inspiring pre-recorded performance Saturday, March 6 at 7:00pm AST on the Aeolian Singers YouTube channel . Veritas: Seeking Truth, Sharing Wisdom will premiere new music by two Canadian women composers and feature other works complementing its overall theme of truth. Commissioned with funding from Arts Nova Scotia, both composers will also deliver brief pre-recorded lectures and participate in a live chat running alongside the virtual performance, giving audience members at home an opportunity to connect more deeply to these new works.
The performance will remain accessible on YouTube following the premiere. In lieu of tickets, viewers are asked to consider making a donation to The Aeolian Singers (http://aeoliansingers.ca/donate.php).
This is the second and final installment of The Aeolian Singers’ Veritas project. In November, the choir gave a live performance of the commissioned work A Rose By Any Other Name by composer Frances Farrell (Nova Scotia). Due to a spike in COVID-19 cases and new restrictions on live performances, the remainder of Veritas has gone virtual. The March 6 performance will feature new works by Marie-Claire Saindon (Quebec) and Carmen Braden (Northwest Territories), including Aviva Swims (Braden) and Flat Earth (Saindon). The lyrics for Flat Earth are by Franco-Ontarian poet, Paul Ruban, and also written for this commission. Both composers will be present at the premiere via live chat.
The theme of the commissions is “truth,” coming from the Latin word veritas. The Aeolians are using choral music to examine what is true, and what it takes to confront the many webs of deception and darkness present in our contemporary society and culture. The new works celebrate the pursuit of knowledge, wisdom and truth; each composer has interpreted this theme differently. Marie-Claire Saindon examines truth in the era of fake news, anti-vaxxers and prominent politicians, while Carmen Braden challenges us to experience truth through the eyes of a child, with ever-evolving memories and impressions.
The concerts and commissions are supported by Arts Nova Scotia, the Department of Communities, Culture and Heritage, the Nova Scotia Advisory Council on the Status of Women, and private donors.
The Bruneau Centre for Excellence in Choral Music, in association with Choral Canada, presents its 2021 Workshop Series:
CONCERTS DURING A PANDEMIC: A ROUNDTABLE DISCUSSION
February 25, 2021 | 7:30pm (NL time) | via Zoom
How do we create inspiring and engaging choral concerts within our current restrictions? Join three choral conductors who have explored this very question to discuss what has worked for them (and what hasn’t).
$6 members Choral Canada | $10 non-members
Please Note: This workshop will be presented in English.
Chorus York invites you—what ever your age or where you are in the world—to participate in our creation of a virtual choir performance of Jazzy and Classical Music that will be presented online this summer.
In this time of social distancing and online conferencing when we can not rehearse together physically, Chorus York is exploring new avenues of artistic expression and collaboration.
Singers wishing to participate should register at www.chorusyork.ca by February 15, 2021 (although we will accept later arrivals).
Repertoire
Blue Skies – Irving Berlin
On The Sunny Side of the Street – Dorothy Fields
They Can’t Take That Away – George & Ira Gershwin
Sixteen Tons – Merle Travis
Chattanooga Cho Cho – Harry Warren
Sing Sing Sing – Louis Prima
Fly Me To The Moon – Bart Howard And a bit of the great:
Halleluia Amen – Handel
Laudate Pueri – Mozart
Jesu Bleibet – Bach
It comes as a welcome opportunity to respond to the NSCF’s request to tell the story of our choir’s journey through the pandemic. We are happy to share the experience of First United Church Choir in Truro under the direction of Minister of Music, Chris Bowman. He has found continuous ways of keeping the choir together since the beginning of this pandemic, changing the structure as circumstances evolved.
From early April until June Chris organized Zoom Meetings for the choir every two weeks. Initially we chatted and ended with a song, rendered while on ‘Mute’, and led by Chris accompanying us on piano. This morphed into Zoom practices. Singers were sent the score via e-mail, practiced at home, sang ‘muted’ together on Zoom, with Chris again conducting and playing piano. A further evolution took us from this Zoom practice to “Project Choir–antine”, recording ourselves individually and sending the recordings to Chris. He then stitched them all together into an anthem of all our voices. This enabled the Choir to be part of the virtual service on Sunday morning. (Each of these recordings is available on youtube.com).
When congregations were permitted to gather, following strict pandemic rules, choir rehearsals were also permitted. Chris implemented distancing, masking, hand washing and cleaning protocols. He also ordered ‘singers masks’ for all who wanted. Scores were sent out via e-mail. So now, we gathered at the church for in—person rehearsals. Our live performances were recorded at the end of each rehearsal and presented on screen during the now in-person Sunday Services. All this happened due to Chris’s initiative, long hours and his determination to provide an ongoing music experience for choir and congregation alike. To quote Chris himself, in the midst of all this “comes the many challenges, and yet celebrations, that technology has afforded us.”
As you will see from the representative testimonials below, choir members are very supportive and appreciative of this opportunity to make music together throughout the pandemic.
“In the past year, being a musician and elementary music teacher has been hard. I have been singing in choirs since I was in the first grade and when COVID began in March, all in-person group singing was stripped away. My mental health suffered due to the lack of group music-making and interaction with others. When we were able to start meeting in person it was a game changer. I’m grateful to be living in Nova Scotia where we have been able to come together to make music safely again.” – Danielle, soprano
“I am grateful for the opportunity to keep my voice in working order. I suspect that had we not been singing together and exercising our vocal chords for the duration of the pandemic, some of us might well have stopped singing for good.” – Alison, soprano
“We all appreciate the hours Chris has put into organizing each individual service, especially when we all know how frustrating technology can be.” – Martha, soprano
“The choir includes many singers who have been together for over 30 years. We are a faithful group, dedicated to excellence and enjoy the amazing leadership and teaching of Chris. Despite the pandemic challenges … we have managed to record and perform a number of high quality anthems for church services in 2020/2021. Whilst not a perfect world, we attend rehearsal dedicated to quality singing and the importance of being the family that we are, socializing from 6 feet, laughing at mistakes, welcoming new members who want a vocal connection, and the teamwork of both singing and disinfecting the pews/chairs/piano afterwards. Our being together as a family is so important to us and “the choir” is a huge part of our lives. We will not let the pandemic separate us from each other and the joy of singing and making music to share with our faith family”. – Lynn and Malcolm, alto and tenor
“Going to choir practice is a high point of my week. The joy of making music together, the fellowship we enjoy when we sing with people who have become friends, and the happiness this sing creates, are all such important results. The endorphins that are released during our practices ensure that (to quote a hymn we have been singing) “I have no complaints whatsoever”. – Debbie, soprano
“It is now undeniable that there will be a ‘new normal’ in the post-pandemic choral world. For many, the pre-Covid choral tradition was familiar, comfortable and secure, but, as time may show, it may have been limited in its vision and purpose. The pandemic has provided us an interlude with extraordinary possibilities if we are willing to embrace change and find new ways of and reasons for singing together. This article will highlight several innovations and experiments undertaken by Canadian choirs and composers as, together, they have engaged in creative and imaginative projects which never would have been thought up without Covid-19.”
Ki Adams, IFCM Vice-President
The Nova Scotia Choral Federation would like to extend thanks to Ki Adams, IFCM Vice-President, for his wonderful article highlighting the resiliency of the choral community during the COVID-19 pandemic. Most notably, the article highlights the work of local choir, The Aeolian Singers, led by Heather Fraser for their Veritas project. Veritas also featured local conductor and composer, Fran Farrell. In addition, the NSCF Program Coordinator, Ryan Henwood, was also featured for his involvement with The Sonic Timelapse Project. It is so wonderful to see our provincial choral musicians featured on an international scale!
Seeking a versatile musician to provide music for worship services at St. Luke’s Anglican Church, Annapolis Royal. The successful candidate should be a capable pipe organist who will enjoy leading our choir, and be able to lead with a variety of instruments other than the organ. Flexibility is a key quality.
To apply, please send your resume to: Parish of Annapolis, PO Box 427, Annapolis Royal, NS, B0S 1A0, or apply by e-mail to parish.annapolis@eastlink.ca.
The Nova Scotia Choral Federation will be hosting a discussion on updates to the COVID-19 guidelines on Saturday, February 13, at 1:00 pm. Choral Leaders present and discuss the most recent NSCF guidelines for in-person group singing.
Please register by Friday February 12 as the link will be sent out on Saturday morning. The guidelines, which were developed by the Nova Scotia Choral Federation and reviewed by the Office of the Chief Medical Officer of Health, can be found by clicking here.
Chicago a cappella is pleased to announce the expansion of its recently announced competition and mentorship program for women composers, “HerVoice.” The project is now in partnership with the Grammy Award winning Kansas City Chorale, and composer Stacy Garrop will now be joined by Zanaida Robles and Chen Yi on the composer selection/mentor panel.
This opportunity is open to women of all ages from anywhere in the world. It is intended to promote the work of promising composers and provide hands-on training to further their skills in choral composition. We are seeking composers who are eager to improve their skill at choral composition in particular. Women composers whose career is in its early stages and women composers of color are particularly encouraged to apply.
TIMELINE
• Submission deadline: April 1, 2021
• Short interviews (phone or online) for finalists: April 1-30, 2021
• Decision announcement: May 1, 2021
• Mentoring sessions, initial rehearsal, and group discussions: between May 1-Sept. 15, 2021
• Final version of piece completed by Sept. 15, 2021
“It’s the energy. That atmosphere that you get in those rehearsals that can be so electric that was so missing from their lives.”
-Heather Fraser, AVHC and the Aeolian Singers Artistic Director
On January 19th, Signal Halifax published an article on our provincial choirs navigating rehearsals during the pandemic. Member choirs, the Aeolian Singers, the Annapolis Valley Honour Choir, and the Halifax Gay Men’s Chrorus, share their experiences starting rehearsals again this January. Since September, choirs have been able to meet in-person, but have had to socially distance, wear masks while singing, and abide by protocols for ventilation. Despite these restrictions, our provincial choral community has been privileged to be able to come together in song!
The Grand Philharmonic Choir Choral Works Competition welcomes new, unpublished and unperformed works by Canadian composers 30 years of age or under.
The GPC Choral Works Competition is for composers, to encourage the creation of new music for symphonic chorus, mixed chamber choir, children’s choirs and youth choirs on an annual rotating basis. The annual program is in its fourth year, and this year the winning work will be for youth choir.
A jury of professional musicians, including Artistic Director Mark Vuorinen, will review the applications.
The winning composer receives a prize of $1500 and a Grand Philharmonic Youth Choir ensemble will perform the piece in November 2021.
The guidelines of the competition change each year depending on which ensemble of the Grand Philharmonic Choir organization is the focus of the competition. Works must be unpublished and unperformed at the time of the competition and must follow the criteria of the competition with respect to length, instrumentation, text, etc. Securing the permission to use texts currently under copyright is the responsibility of the composer (proof of permission will be a requirement of the winning entrant).