Chorus York invites you—what ever your age or where you are in the world—to participate in our creation of a virtual choir performance of Jazzy and Classical Music that will be presented online this summer.
In this time of social distancing and online conferencing when we can not rehearse together physically, Chorus York is exploring new avenues of artistic expression and collaboration.
Singers wishing to participate should register at www.chorusyork.ca by February 15, 2021 (although we will accept later arrivals).
Repertoire
Blue Skies – Irving Berlin
On The Sunny Side of the Street – Dorothy Fields
They Can’t Take That Away – George & Ira Gershwin
Sixteen Tons – Merle Travis
Chattanooga Cho Cho – Harry Warren
Sing Sing Sing – Louis Prima
Fly Me To The Moon – Bart Howard And a bit of the great:
Halleluia Amen – Handel
Laudate Pueri – Mozart
Jesu Bleibet – Bach
First United Church Adult Choir rehearses in the church hall (November 2020)
It comes as a welcome opportunity to respond to the NSCF’s request to tell the story of our choir’s journey through the pandemic. We are happy to share the experience of First United Church Choir in Truro under the direction of Minister of Music, Chris Bowman. He has found continuous ways of keeping the choir together since the beginning of this pandemic, changing the structure as circumstances evolved.
From early April until June Chris organized Zoom Meetings for the choir every two weeks. Initially we chatted and ended with a song, rendered while on ‘Mute’, and led by Chris accompanying us on piano. This morphed into Zoom practices. Singers were sent the score via e-mail, practiced at home, sang ‘muted’ together on Zoom, with Chris again conducting and playing piano. A further evolution took us from this Zoom practice to “Project Choir–antine”, recording ourselves individually and sending the recordings to Chris. He then stitched them all together into an anthem of all our voices. This enabled the Choir to be part of the virtual service on Sunday morning. (Each of these recordings is available on youtube.com).
When congregations were permitted to gather, following strict pandemic rules, choir rehearsals were also permitted. Chris implemented distancing, masking, hand washing and cleaning protocols. He also ordered ‘singers masks’ for all who wanted. Scores were sent out via e-mail. So now, we gathered at the church for in—person rehearsals. Our live performances were recorded at the end of each rehearsal and presented on screen during the now in-person Sunday Services. All this happened due to Chris’s initiative, long hours and his determination to provide an ongoing music experience for choir and congregation alike. To quote Chris himself, in the midst of all this “comes the many challenges, and yet celebrations, that technology has afforded us.”
First United Church Adult Choir rehearses in the sanctuary (December 2020)
As you will see from the representative testimonials below, choir members are very supportive and appreciative of this opportunity to make music together throughout the pandemic.
“In the past year, being a musician and elementary music teacher has been hard. I have been singing in choirs since I was in the first grade and when COVID began in March, all in-person group singing was stripped away. My mental health suffered due to the lack of group music-making and interaction with others. When we were able to start meeting in person it was a game changer. I’m grateful to be living in Nova Scotia where we have been able to come together to make music safely again.” – Danielle, soprano
“I am grateful for the opportunity to keep my voice in working order. I suspect that had we not been singing together and exercising our vocal chords for the duration of the pandemic, some of us might well have stopped singing for good.” – Alison, soprano
“We all appreciate the hours Chris has put into organizing each individual service, especially when we all know how frustrating technology can be.” – Martha, soprano
“The choir includes many singers who have been together for over 30 years. We are a faithful group, dedicated to excellence and enjoy the amazing leadership and teaching of Chris. Despite the pandemic challenges … we have managed to record and perform a number of high quality anthems for church services in 2020/2021. Whilst not a perfect world, we attend rehearsal dedicated to quality singing and the importance of being the family that we are, socializing from 6 feet, laughing at mistakes, welcoming new members who want a vocal connection, and the teamwork of both singing and disinfecting the pews/chairs/piano afterwards. Our being together as a family is so important to us and “the choir” is a huge part of our lives. We will not let the pandemic separate us from each other and the joy of singing and making music to share with our faith family”. – Lynn and Malcolm, alto and tenor
“Going to choir practice is a high point of my week. The joy of making music together, the fellowship we enjoy when we sing with people who have become friends, and the happiness this sing creates, are all such important results. The endorphins that are released during our practices ensure that (to quote a hymn we have been singing) “I have no complaints whatsoever”. – Debbie, soprano
“It is now undeniable that there will be a ‘new normal’ in the post-pandemic choral world. For many, the pre-Covid choral tradition was familiar, comfortable and secure, but, as time may show, it may have been limited in its vision and purpose. The pandemic has provided us an interlude with extraordinary possibilities if we are willing to embrace change and find new ways of and reasons for singing together. This article will highlight several innovations and experiments undertaken by Canadian choirs and composers as, together, they have engaged in creative and imaginative projects which never would have been thought up without Covid-19.”
Ki Adams, IFCM Vice-President
The Nova Scotia Choral Federation would like to extend thanks to Ki Adams, IFCM Vice-President, for his wonderful article highlighting the resiliency of the choral community during the COVID-19 pandemic. Most notably, the article highlights the work of local choir, The Aeolian Singers, led by Heather Fraser for their Veritas project. Veritas also featured local conductor and composer, Fran Farrell. In addition, the NSCF Program Coordinator, Ryan Henwood, was also featured for his involvement with The Sonic Timelapse Project. It is so wonderful to see our provincial choral musicians featured on an international scale!
Seeking a versatile musician to provide music for worship services at St. Luke’s Anglican Church, Annapolis Royal. The successful candidate should be a capable pipe organist who will enjoy leading our choir, and be able to lead with a variety of instruments other than the organ. Flexibility is a key quality.
To apply, please send your resume to: Parish of Annapolis, PO Box 427, Annapolis Royal, NS, B0S 1A0, or apply by e-mail to parish.annapolis@eastlink.ca.
The Nova Scotia Choral Federation will be hosting a discussion on updates to the COVID-19 guidelines on Saturday, February 13, at 1:00 pm. Choral Leaders present and discuss the most recent NSCF guidelines for in-person group singing.
Please register by Friday February 12 as the link will be sent out on Saturday morning. The guidelines, which were developed by the Nova Scotia Choral Federation and reviewed by the Office of the Chief Medical Officer of Health, can be found by clicking here.
Chicago a cappella is pleased to announce the expansion of its recently announced competition and mentorship program for women composers, “HerVoice.” The project is now in partnership with the Grammy Award winning Kansas City Chorale, and composer Stacy Garrop will now be joined by Zanaida Robles and Chen Yi on the composer selection/mentor panel.
This opportunity is open to women of all ages from anywhere in the world. It is intended to promote the work of promising composers and provide hands-on training to further their skills in choral composition. We are seeking composers who are eager to improve their skill at choral composition in particular. Women composers whose career is in its early stages and women composers of color are particularly encouraged to apply.
TIMELINE
• Submission deadline: April 1, 2021
• Short interviews (phone or online) for finalists: April 1-30, 2021
• Decision announcement: May 1, 2021
• Mentoring sessions, initial rehearsal, and group discussions: between May 1-Sept. 15, 2021
• Final version of piece completed by Sept. 15, 2021
Members of the Halifax Gay Men’s Chorus rehearse at the Maritime Conservatory of the Performing Arts led by Artistic Director Bryan Crocker
“It’s the energy. That atmosphere that you get in those rehearsals that can be so electric that was so missing from their lives.”
-Heather Fraser, AVHC and the Aeolian Singers Artistic Director
On January 19th, Signal Halifax published an article on our provincial choirs navigating rehearsals during the pandemic. Member choirs, the Aeolian Singers, the Annapolis Valley Honour Choir, and the Halifax Gay Men’s Chrorus, share their experiences starting rehearsals again this January. Since September, choirs have been able to meet in-person, but have had to socially distance, wear masks while singing, and abide by protocols for ventilation. Despite these restrictions, our provincial choral community has been privileged to be able to come together in song!
The Grand Philharmonic Choir Choral Works Competition welcomes new, unpublished and unperformed works by Canadian composers 30 years of age or under.
The GPC Choral Works Competition is for composers, to encourage the creation of new music for symphonic chorus, mixed chamber choir, children’s choirs and youth choirs on an annual rotating basis. The annual program is in its fourth year, and this year the winning work will be for youth choir.
A jury of professional musicians, including Artistic Director Mark Vuorinen, will review the applications.
The winning composer receives a prize of $1500 and a Grand Philharmonic Youth Choir ensemble will perform the piece in November 2021.
The guidelines of the competition change each year depending on which ensemble of the Grand Philharmonic Choir organization is the focus of the competition. Works must be unpublished and unperformed at the time of the competition and must follow the criteria of the competition with respect to length, instrumentation, text, etc. Securing the permission to use texts currently under copyright is the responsibility of the composer (proof of permission will be a requirement of the winning entrant).
The BC Choral Federation (BCCF) is proud to announce a series of four interactive webinars this winter centred around cultural diversity, equity, inclusion and respectful engagement in our choral communities. This exciting series of four interactive webinars features diverse and authoritative presenters who will inspire our choral community to better understand, honour, and respect the voices and cultures they choose to interpret.
In the context of all that is happening in our world, cultural diversity is of utmost importance for our choral community. The Black Lives Matter movement and Indigenous efforts to reclaim traditions, and heal from the legacy of colonialism and residential schools require of our predominantly white choral world to learn and inform our performance practices with compassion, respect and integrity. Our purpose in offering this series of webinars is to create a safe environment where we can challenge ourselves to envision a more diverse, inclusive, just, and equitable choral community: a community where all voices can flourish and all cultures will be honoured, celebrated and respected. These workshops will be of interest to choral singers, Artistic Directors, conductors, composers, arrangers, music educators, church choirs, and boards of directors.
SATURDAY, FEBRUARY 6 Instruments of Change: Building Respectful, Inclusive and Mindful Choral Communities with Ryan Cho and Dawn Pemberton
SATURDAY, FEBRUARY 27 Black Voices Matter: Considerations for Anti-Racist Choral Environments with Dr. Alexander Lloyd Blake
SATURDAY, MARCH 6 From Vive la Canadienne to Vigneault: Singing French Canadian Choral Music with Patricia Abbott
SATURDAY, MARCH 20 Honouring Indigenous Musics: Conversations around Voice, Place, and Solidarity with Jonathon Adams and Nadia Chana
Chicago a cappella is pleased to announce the expansion of its recently announced competition and mentorship program for women composers, “HerVoice.” The project is now in partnership with the Grammy Award winning Kansas City Chorale, and composer Stacy Garrop will now be joined by Zanaida Robles and Chen Yi on the composer selection/mentor panel.
